Marco Secchi
In SPG's 8th installment of the interview series we are introducing Marco Secchi. The Italian photographer living in Hungary, believes the street is a never-ending theater ready to offer fleeting performances for him.
Tell us Marco, why and when did street photography become your "THE" thing? What exactly inspired you?
Marco : I’ve been a photographer my entire life—sometimes it feels like I was born with a camera in hand. Street photography, though, has been an on-and-off love affair. I’ve always been drawn to the unpredictability of the streets, the rawness of life unfolding in front of you, unfiltered. It’s like catching lightning in a bottle.
About eight years ago, I found myself diving back into it seriously. I think it was a mix of needing a fresh creative challenge and a deeper desire to reconnect with storytelling in its most spontaneous form. Street photography isn’t just about capturing moments—it’s about observing, blending in, and letting life reveal itself. There’s no script, no second take, and that keeps it exciting. What inspired me? Honestly, it’s people. Their quirks, their interactions, the stories etched on their faces, even in their silences. The streets are like a never-ending theater, and I love being there to capture those fleeting performances before they’re gone forever.
How would you define your style of street photography?
Marco : My style is a mix of instinct and curiosity, heavily influenced by my years as a photojournalist for Getty Images. It’s about storytelling—capturing authentic, fleeting moments that feel both universal and personal. I’m drawn to contrasts: light and shadow, humor and melancholy, chaos and calm. Being a photojournalist, I learned to see the world honestly, to find meaning in the smaller details. That perspective, shapes how I approach the streets—observing, waiting, and capturing what others might overlook. It’s not perfect, but it’s mine, and that’s what keeps it alive.
What is more important to you, the people or the surroundings?
Marco : For me, it’s both—they’re inseparable. People bring life to a scene, and the surroundings give context to their actions. But what truly grabs my attention is the interaction between the two: what people are doing, how they move, how they fit—or don’t fit—into their environment. It’s the balance of all these elements that tells the story. A great image isn’t just about the person or the place; it’s about how they come together to create something bigger.
Marco Secchi, what would be your top list of tricks to succeed as a street photographer? Share some tips for people who are starting out on street photography..
Marco : My tips?
Blend In: Be part of the scene—wear neutral clothes and move naturally.
Light Matters: Use light and shadow to add depth to your shots. Zone
Focus: Master this to react quickly to fleeting moments. Be Patient: Great stories take time—observe and wait.
Respect People: A smile or moving on can make all the difference.
Edit Ruthlessly: Only keep the shots that truly stand out.
When you look deep within, did street photography change you?
Marco : Absolutely! Street photography taught me to slow down and really see the world. It’s made me more observant, more patient, and more connected to the stories around me. It’s also challenged me to step out of my comfort zone—to interact with the unpredictable and embrace the beauty in the everyday. It’s not just about taking photos; it’s about seeing life differently. And yes, it’s changed me in ways I didn’t expect.
Tell us Marco, for a street photographer, what is beyond that camera?
Marco : It’s all about perspective and connection. The camera is just a tool—it captures what you see, but it’s your eyes, your mind, and your heart that shape the story. Beyond the camera, it’s the curiosity to explore, the patience to wait, and the courage to engage with the world around you. It’s also empathy—understanding people, their stories, and the spaces they inhabit. Street photography is about finding meaning in the chaos, seeing beauty in the ordinary, and creating something that resonates with others.
In the end, beyond the camera, it’s you—the photographer—who makes the image truly come alive.
Out of your own work, pick the top three. Tell us the story behind those shots.
Marco : Ok, let's look at these then...
Any shot you think that you may have missed and you must have taken?
Marco : Oh, absolutely. One moment still haunts me—a fleeting scene on a busy street in London years ago. There was an elderly man, impeccably dressed in a vintage suit, holding a bouquet of wildflowers. He was framed perfectly against a backdrop of rushing commuters, all in a hurry, oblivious to him. It was such a contrast—stillness in the chaos—but by the time I raised my camera, the moment was gone. That missed shot is a constant reminder to always stay ready and never hesitate. Street photography is full of "almost"s, but those moments teach you to sharpen your instincts and value every opportunity.
Which camera(s) do you use? And what about your lenses and other accessories?
Marco : I use a mix of Cameras from Leica M3 and M6 to M10 and Q2.... to Sony a7 to Fujifilm.
Is street photography your primary source of bread & butter?
Marco : Not exactly. My main income comes from royalties and licensing editorial and news images, followed by workshops and prints. While some of my workshops and prints focus on street photography, it’s just one part of what I do. Street photography is more of a passion that keeps me inspired and connected to the craft.
Which other street photographers’ work inspires you the most?
Marco : I’m deeply inspired by Elliott Erwitt for his humor and timing, Gianni Berengo Gardin for his ability to capture the soul of Italy, and Cesare Colombo for his storytelling and connection to everyday life. Each of them brings a unique perspective, and their work constantly reminds me of the power of a single moment.
What NOT TO DO in street photography?
Marco : Don’t invade personal space – Respect people’s boundaries; there’s a difference between candid and intrusive. Don’t rely on long lenses – Street photography is about being part of the scene, not a distant observer. Don’t stage moments – Authenticity is the heart of street photography; let the stories unfold naturally. Don’t ignore the law – Be aware of local regulations and cultural norms. Don’t overshoot without purpose – Focus on quality, not quantity.
Do you believe that street photographers are travel photographers too?
Marco : Not necessarily. Street photography is about capturing life as it unfolds, and that can happen anywhere—even in your hometown. However, changing places can inspire new perspectives and creativity. Traveling often brings fresh stories, unique settings, and diverse characters that can enrich a street photographer’s work.
What is your perspective on the relationship between Street Photography and Street documentary?
Marco : Street photography captures fleeting, candid moments—often focusing on artistry, mood, or emotion. Street documentary, on the other hand, dives deeper, aiming to tell a cohesive story or highlight social issues over time. They overlap, but while street photography thrives in spontaneity, street documentary often requires intention and context. Both are powerful ways to understand and reflect the world around us.
What is your word of caution to amateur street photographers?
Marco : Don’t rush. Street photography takes patience, observation, and respect. Avoid being invasive—people are not just subjects but part of the story. Also, don’t get caught up in chasing perfection; focus on capturing the essence of the moment.
Can we disagree with that as a parting thought? No! That is Marco Secchi the street photographer for you guys, as candid as it can be. He sure also has a way with his words just like he motivates with his work on the streets.
You can connect with Marco Secchi on Instagram
If you are a street photographer and own a credible body of work, you can be featured in The Street Photography Gallery’s Feature section. You only have to hit the button below or email us on thestreetphotographygallery@gmail.com
Lovely story telling!
As a street photographer, you probably come cross millions of stories and moments. How do you pick one story or moment over another?
These are some gorgeous clicks and a beautiful write-up!